Sunday, May 31, 2009

When in Rome... don't always eat as the Romans do

This past weekend, I made a visit to Lyon in the Rhone-Alps region of France.  A beautiful place with some very neat Gallo-Roman ruins up the street from my hostel, this lovely city is a sort of mini-Paris. I knew it had been the center of the silk trade and manufacturing in France, and was very important for most of western Europe's fashion trade, but I was not expecting to find myself inundated with haute-couture fashion boutiques.  It was stunning, really.  I find that with each city I visit, (if I am alone), I end up walking it from end to end without thinking, and consequently stumble upon some of the truest aspects of its culture.  
In walking across Lyon, I found its old city center, complete with tourist shops of "ancient" crafts and restaurants of classically "lyonnaise" food.... a subject to which I will return later to elaborate on my interesting experience.   I then crossed the river onto its island of a modern city center, housing leading fashion designer from New York, Paris, Milan, etc, and a great deal of fast food.  (I personally loved the "walk-up" McDonald's window.) I have gotten in the habit of taking every side street possible not only to avoid touristy-tourists (yes, I know, I am a tourist as well), but also to find the mom&pop boulangeries and artisans.  I was particularly successful at this in Lyon. In turning just the right corner, I came upon a window of stunningly innovative fashion pieces with display boards describing the artist's inspirations.  After a few moments, I came to the realization that these were school projects... and WHAT SCHOOL PROJECTS! It always helps to know the intention and inspiration behind an artwork when viewing it, so as to appreciate it fully, but I can honestly say that the work done by the fashion students in Lyon have a true grasp of fashion meets function with timeless grace and a modern edge.  I continued walking a few feet and was greeted by the sounds of live music and laughter, then by a welcome table and flowing ribbons suspended as an entry to some sort of gathering. Having found a new sense of being daring, I walked passed the welcome table so as not to pay if necessary...(an action badly viewed in the US, but all but uncommon in France), and found myself in the midst of a couture boutique community, all with free wine and hors-d'oeuvres in hand.  I sauntered through the mix of boutiques awkwardly, sneaking a few bites, but foolishly neglecting the wine (I guess I felt guilty or something...). The work was incredible, full of color, interesting materials and fascinating composition.  I did have one woman try to sell me a cocktail dress that looked like it was meant for someone 3 times my size and 50 years old (still very fashion forward, however, because all french women are), and I attempted to overt the situation my telling her I was a tourist and student of the arts.  I always feel weird in situations such as that one because I know I am not going to spend money, and they know I am not going to spend money, but there is always a sort of forced conversation--an attempt at a sale despite the inevitable, and an attempt at appearing to be nothing short of a Kennedy or at least raised with such experiences of wealth.  Awkward, really, but she was nice enough. People in Paris won't even give you the time of day. 

I made my way out of the fashion-forward gathering, worn jeans and tee-shirt intact, and progressed up a hill through what seemed to be a continuation (while less concentrated) of the fashion community.  Complete with vintage garments, and ethnically-inspired everything, this area was quite pleasing to the senses... minus the steep hike.  I turned a corner, where two North African men in tradition garb were chatting, and made my way down what appeared to be a docile side street. It was calm, yes, but I soon discovered that with the exception of a couple of ethnically covered women, and two tourists loading a car, I was surrounded by men--mostly middle eastern, I think--in every cafe and epicerie.  It was the middle of the day, and there was really no reason to be fearful, as I was not being cat-called or threatened, but I nonetheless turned right around and headed back the way I came.  

I worked my way up to the summit of the impossible mount to discover the most incredible view of the city in its entirety, which seemed to stretch out forever.  My feet finally screaming loud enough for me to pay attention, I looked at the map for the nearest metro, only to find that I had all but walked off the map.  "Well, damn!" I thought, and hiked my way to the end of the nearest line.  The museums were closed at this point, and the vintage market was not until the next morning so I headed back to the hostel before going back into the old part of town for some "classically lyonnaise" dinner.  Oh, and what an idea that was.  

All I have to say is, "When in Rome...don't always eat as the Romans do." I sat down at one of the many "Bouchons Lyonnaises" with excitement mounting. I had read that Lyon was the capital of mind-blowing cuisine, but did not take into account that I was reading it off a Lyon tourist website.  I have now learned that when the waitress is not too keen on a dish, DONT ORDER IT. I mean, that usually goes without saying, but I am always eager to try out something daring and new, especially when it is traditional to the region. We learned with the fish in Cannes, that sometimes this mindset does not fare well, and that in such cases, it can be beneficial to order something with at least one word you recognize.  I ordered some appetizer that sounded like a collection of meat with lentils, which was the case when it arrived, but was covered in a sort of gelatin and one of the meats had a consistency of a hardened lard or muscle--like eating rubber covered in jelly, and not the strawberry kind.  Next was the "andouillette lyonnaise," which I was anticipating to be similar to New Orleans andouille.  Oh, no. Sausage, yes, but swimming in a sea of yellow mustard sauce and potatoes. While it may sound tastey, and very well might be for other people with different tastes, I ate as much as I could handle and pushed the rest around to look like I ate more than I really did. I hate wasting food, and the french are very weird about it. I am sure the waitress was having a good laugh, though, so at least someone was having fun.  For some reason, profiteroles are popular in Lyon, and in finally following the waitress' recommendation, I ordered the dish for dessert.... too much food, but it was a sort of 3 course meal.  The dish arrived as what we would call in the States "profiteroles-as-big-as-your-head," and I told the waitress she would be eating half. She laughed, I groaned, and the profiteroles glared tauntingly at me.  I ate what I could manage, and vowed to myself to never again order against the recommendation of the waitstaff, unless I know for certain what I am ordering. 

Wednesday, May 27, 2009

Cannes can, can you?



(en haut) Paysage de Cagnes-sur-mer
(à gauche) la groupe de DePaul avant un film du festival
(à droite) La mer Mediterranée
(en bas/à gauche) LaJoie comme mannequin 
                                                                                      

                         

Quick listing of the movies we viewed at the Cannes Film Festival this past weekend and some photos of our other activities....

Demain dès l'aube  Denis Dercourt
Logorama  François Alaux, Hervé de Crécy, Ludovic Houplain
Altiplano Peter Brossens, Jessica Woodworth
Tengri, Le Bleu du Ciel  Marie Joaul de Poncheville
La ville en panique  Stephane Aubier, Vincent Patar
Le Nymphe Pen-Ek Ratanaruang
Les Herbes Folles Alain Resnais

We viewed the films at a theater in Cannes LaBocca, not in the Croisette, the center of town where all the stars congregate.  We did not see any stars, but we made stars of ourselves with stunning photo-shoots on the beach.  Madame Brault was not only awesome enough to get us tickets to 7 films in Cannes, including one in competition (whose director won a sort of lifetime achievement award), but she also booked us a hotel on the beach, gave us beach-time in our busy weekend, and even took us to Renoir's house, the Picasso Museum (housed in a house where he did some of his work), some picturesque towns, and 2 classically-Cannes restaurants.  Let's just say that I ate fish with its head still attached on more than one occasion.  
                                                                              
Cannes is beautiful, certainly created to uplift one's spirits.  It made me eager to start my life in southern france next year, as opposed to anxious (a product of Paris' coldness and cosmopolitan attitude).  The people actually allow smiles to break across their faces; perhaps it is a product of sea breezes or southern sunshine.  Regardless, I am all about the prospect of collecting my thoughts among the sea-stones (not many shells) by the seaside when stressed or homesick.  It is a useful remedy, and one that I am more than happy to try out.  

                       We ventured to a market in Cagnes-sur-mer where I found some perfect photo opportunities of the local cuisine and color palette.  
                                                                               
 

Saturday, May 16, 2009

Metaphor for my often ADD ambitions

I'm sure that posting song lyrics to something like a blog is rather "grade-school"-esque, but I find that these lyrics, while simple relate to my approach to my life and ambitions...

Sara Bareilles
"Vegas"

Gonna sell my car and go to Vegas
'Cause somebody told me
That's where dreams would be
Gonna sell my car and go to Vegas
Finally see my name upon the Palace marquis

Gonna quit my job and move to New York
'Cause somebody told me that's where
Dreamers should go
Gonna quit my job and move to New York
And tattoo my body with every Broadway show.

Listen up now honey, you're gonna be sorry
Can't get out from under a sky that is falling
And you say
No fame, no money, I'm nobody
The way I'm running has sure got me down
On my knees.
But next stop, Vegas please.
Gotta get to Vegas
Can you take me to Vegas?

Gonna sell my house and cross the border
'Cause somebody told me dreams live in Mexico
Gonna sell my house I got to lose ten pounds
And cross the border
And make sweet love upon the white sandy shore.

Listen up now honey, you're gonna be sorry
Can't get out from under a sky that is falling
And you say
No fame, no money, I'm nobody
The way I'm running has sure got me down
On my knees.
But next stop, Vegas please.

It's always just around the corner or you're
On your way to somewhere
That is bigger or better...
If you could only get there
It's never your fault you can't start your
Own winning streak
But I'd hate to lose you to the fortune you seek

I'm gonna lose my mind and sail the ocean.
'Cause somebody told me there were
Cherry blue skies
I'm gonna fix my mind with a final destination
And have a deep sleep upon a sweet dream
I'll never realize...no

Listen up now honey, you're gonna be sorry
Can't get out from under a sky that is falling
And you say
No fame no money I'm nobody
The way I'm running has sure got me down
On my knees.
Next stop, Vegas please.
Can you take me to Vegas? 

cliché advice, but like all clichés, it is founded in truth

Continuing with the theme of self-analyzation... I was reminded that judging a person on only a few shared experiences, or interactions based in only one subject, is no way to judge who they are or where their talents lie.  "Never judge a book by its cover."  It cliché, while old and over-used, is nevertheless true.  

I always knew that a few people on this adventure with me were very particular--very interesting characters.  I didn't really choose to spend my time with them, simply making that choice from the few experiences we shared and the limited spans of time we had spent together on group excursions.  It is said that first impressions are crucial and tell a great deal about a person---while this is true, it is important to remember that it is still just one impression, one instance.  I found out that the lone traveler, homebody, non-drinker, over-the-top student has two tattoos and is not against drinking or other substances, but rather wants each experience to happen in its "perfect moment" and is waiting for the right ones.  I discovered that the soft-spoken, sweet, yet sometimes-struggling-with-french student is an avid reader of difficult English literature and has the most incredible fiery desire to bring her passion to students in low-income schools.  The other day, I found out that the person I thought was the most calm and naive of the group is about 10 fold as daring as I am, but simply does a good job of hiding it from all the others. 

That is all to say that when clichés are presented, they may be overused, but they are always founded in truth, and thus should be taken seriously.   

Thursday, May 14, 2009

Condemned to be free

I continually find--as I have said many times before--that every element of this trip fits with the others like pieces of a puzzle whose image becomes slightly clearer with each new piece.  I am uncertain about what the finished puzzle will ultimately resemble, but I have a feeling that it will have something to do with some major life changes--as in new approaches to my perception of the world and of myself.  Everything, from the figure of the "flâneur" to Baudelaire's views of women to the goal of Impressionism, and now onto Sartre's assertions about man and destiny, becomes a sort of acceleration pushing me towards deeper self-discovery and analyzation.

Someone once told me that, above all, one must be honest with other people.  Honesty, indeed, means more than just the words you say--whether or not they are what you really mean (i.e. often times people know to read between the lines)--but rather what you DO.  Taking this notion further, Sartre argues that even inaction is action.  How many times is someone on the street asking for money met with indifference and lack of attention? That inaction is an act of ignoring the person.  I am not criticizing people for not giving to the homeless, because often times I do the same thing.  It is simply an example.  Or, how many times do individuals spend time with others that have affections for them, and aside from simply stating that the relationship is platonic, do nothing to distance themselves from the said person for the sake of the game that is the ambiguous nature of the relationship?  I am being vague.  While Sartre states that "L'enfer, c'est des autres" (Hell is others), he also states that (Tout est un act) (all is action) and man is only what he presents in action and that he is in control of his own destiny.  That is to say that man is condemned to be free--free to make his own choices, and at the end of the day, he can blame no one but himself for his own follies and/or failures.  
 
It is by this philosophy that I find myself affronted by reality.  All too often I have let fall by the wayside the reality of situations for the sake of enjoying the moment, the situation.  It is a sort of excuse, really, to say that all things done "in the moment" are acceptable to a certain degree because they were done in the pursuit of adventure or passion or excitement.  That is not to say that one should not live fully or should avoid spontaneity---absolutely not!  It is simply to say that if one knows the consequences of one's actions and knows the end result, and this end result is harm to another (be it a friend, suitor, or the environment--for the sake of argument), there is no excuse for one's actions.  There is no room for placing blame on anyone else.  Ultimately, by way of action or inaction, we must always fight to preserve the virtue of honesty in our interactions with the world.  If one lives honestly, there is little room for guilt and subsequently the anxiety, sadness, and loss that are often born from it.  In being honest with others, it is imperative to be honest with oneself--I do not know which is more difficult because one cannot exist without the other-- and without the constrictions previously listed, it is far more possible to live a fuller, happier, and likely, longer life.  
 
Personally, I look forward to the freedom of spirit and mind that will hopefully result from this newly recaptured approach to life.  I am already struggling with its difficulties and all that must be met and repaired in regards to previous actions (or inactions, as the case may be), but I feel burdens already being lifted at the simple thought of admitting to my faults and follies.   It is a liberation long overdue, and only after which I feel that I can finally live to feel for real and to enjoy spontaneity without worrying about how I will avoid its results after the fact.  

Sunday, May 10, 2009

Les Champs... Elysées



Today I took a stroll through  the natural landscapes that inspired the genius works of Monet and Van Gogh.  In both spaces, I felt the presence of an omnipresent paintbrush waiting in the clouds above to sweep down and add one last touch to the canvas through which I was roaming.  I was struck, however, by the strange connection I felt to Van Gogh's subject and not that of my life-long love, and new obsession, Monet.  

Strolling through the breath-taking gardens, with new colors assaulting the eye at every turn, I appreciated its beauty, but felt somehow removed, distanced.  Indeed the gardens are exact to Monet's vision, but then, perhaps that is exactly the problem.  They are contrived and sculpted to be tourist-picture-perfect.  Every glimpse must tell of a particular image, an individual painting. I appreciated the glamour of this space, and wondered what awe would overcome Monet if he saw his vision actualized (the gardens were not THIS extravagant in his day---lack of funding) to such degree of perfection.  His imagination, creative genius, especially as exemplified in his Orangerie lilies, is far more stunning in my mind that the inspiration itself.  

As for Van Gogh, however, his fields transported me through to his art and beyond, into my own sort of Elysian
 Fields.  The natural perfection of the wind's soft sweeping across the plain, continued into and through me, filling me not only with a sense of refreshment, but also with a sensation of excitement---no expectations, no anxiety, just understanding.  While each of his picturesque views is marked with a plaque and copy of his famous painting of the place, these fields themselves held a calmer, more personal touch---a literal touch.  I find that it is necessary, when addressing such dimensional art as that of Van Gogh (and subsequently Monet) to have the ability to use all one's senses to absorb and discover the environment, if one's goal is to feel as the artist felt. 
 Nature was never meant to be behind glass, but to be handled, caressed, and above all appreciated by way of experience.